(Sneak peek of the Nike/UNDFTD billboard on La Brea and 1st St. Design by Keith Scharwath)
On Friday August 29th, Beautiful Losers makes it’s Los Angeles premiere at Landmark’s Nuart Theater. To date, the response to our little film has been overwhelmingly positive and audiences have eagerly embraced our message of inspiration and creativity with open arms. With no major film distribution company behind us, we’ve been fortunate enough to have gained the support and good will from audiences who have seen the film and have continued to spread the good word amongst friends, family, and something called the “internets”. Hopefully this grass roots approach can continue to bring our film to more and more cities as we have just added Boston to our tour which already includes San Francisco, Portland, and Chicago.
The 7:30 and 10pm shows on opening night will feature Q&A sessions with myself, Aaron Rose, and Money Mark. Tickets for the L.A. premiere and theatrical run are now on sale and can be purchased at Landmark’s website here(Make sure you’re purchasing tickets for the correct shows. Dates are listed in the pull down menu above the showtimes!)
Fresh from Tokyo, Japan after our official theatrical world premiere (much more on the Japan trip coming soon), Beautiful Losers makes it’s homecoming with the U.S. theatrical premiere on August 8th at the IFC Center in New York city. This release has been a long while coming as we’ve been on the festival road for over a year now, even capturing a documentary jury prize along the way. Select showings of this weekend’s special release will feature Q&A sessions with several artists from the film. The lineup goes as follows:
Friday, Aug.8th @ 8:20 - Aaron Rose, Steve Powers (ESPO), Chris Johanson, and Cheryl Dunn
Tickets can be bought right here. (Make sure you’re purchasing tickets for the correct shows. Dates are listed in the pull down menu above the showtimes!)
The New York theatrical release at the IFC Center will run from August 8th through the 28th before shifting to the West Coast with runs in Los Angeles, San Francisco, Portland, and finally end in Chicago (the film may have a longer run depending on the success of this initial roll out).
In addition to the the film’s U.S. launch, Nike Sportswear has partnered with us to give back to the people. “Make Something!!” is a series of D.I.Y. creative art-based workshops taught by some of today’s best creators aimed at inspiring and educating young people. The first set starts in New York and runs from August 8th through the 22nd and then moves to Los Angeles and goes from August 29th through September 8th. The workshops range from sign painting, photography, skateboard graphic design, toy design, filmmaking, tattoo art, footwear design and zine making. Classes will be taught by the likes of Aaron Rose, KAWS, Todd James, Tobin Yelland, Cheryl Dunn, Mike Mills, Ed Templeton, Money Mark, and yours truly to name a few. Come by my class August 30th where I’ll be teaching kids the dark arts of film editing! More on the workshops to come as they happen.
The paint is still drying and the time is almost upon us. The highly anticipated show will open tomorrow night at the Laforet Museum at 6pm! Like the sign says…
(from left to right: Harmony Korine, Mark Gonzalez, and Carlo McCormick)
On Sunday May 18th, my first full day back stateside, I was treated to a special “conversation” between filmmaker Harmony Korine and artist/skateboarder Mark Gonzalez which was later moderated by magazine editor Carlo McCormick at Tokion’s Creativity Now conference at Cooper Union in Manhattan. The two playfully started off their discussion by going through their list of “Name Poems” which are names of celebrity types dissected and reshaped to form whole new names. This exercise in adolescence started in Harmony’s Prince street apartment at the start of their long standing friendship and through the years has grown into a list of hundreds. Starting with their first foray into their new art form, Harmony recited the original name poem “Emily dicked her son” (Emily Dickinson). And from there, back and forth they went laughing with childlike pride at some of their crudest and funniest inventions which included; “Dick rides around in a van looking for dykes” (Dick Van Dyke), “Is it a kite? Harvey can’t tell” (Harvey Keitel), “Burt Reynolds wrap”, “What’s Stephen Hawking?”, and “Kirstie was raped in an alley” (Kirstie Alley) to which Mark replied, “That’s just mean.” Mean indeed, amusing yes, and the audience of students and young and old people enjoyed it all. Here’s a bit of video of the tail end of the name poetry segment:
From there Carlo McCormick joined the brouhaha and attempted to turn the conversation into a more insightful one with sincere answers. This was not easily done with the Harmony and Mark revelling in being the jokesters they are. At one point Mark completely interrupts Harmony mid-answer when he started playing his harmonica on his mic:
But not all of it was fun and games as Mark gave one of the best answers of the day when Carlo asked him how his process when making art involves leaving his errors in finished pieces, to which Mark responded (in so many words), “the mistake is part of the make.” A lesson I’ve been slow to adhere to being a perfectionist for most of my life, but a lesson I now live by as I understand the beauty in drawing outside the lines. As these two creators have been doing for most of theirs.
Thanks to the lovely Heather Seccia of Tokion for getting me and my brother in.
(click image to see more photos of The Sads at agnes b.)
On Friday April 11th, L.A.’s agnes b. boutique in brought together Brent Stewart’s photography from the set of writer/director Harmony Korine’s (Kids, Gummo) upcoming cinematic love story Mister Lonely, as well as the musical stylings of The Sads.
I don’t usually find myself perusing the high class fare and all too expensive goods (to me at least) of Robertson Blvd., but the night’s opening reception was an exception. On the walls amidst the chic couture you could find production photos from Harmony’s film. Some were big prints of the film’s stars, some were small snapshots of candid moments, and some were even just photocopies. The photos were nice to look at as I tried to avoid glancing at price tags, but the real buzzing excitement came from the anticipated performance by The Sads.
Almost as out of place as the bowls of Lay’s Sea Salt and Vinegar potato chips and accompanying bowl of cherry tomatoes (actually a great combo), The Sads were set up to perform right in front of one of the large store front windows giving passer byers a glimpse into a cross section of high fashion and low-fi musical creations. Aska Matsumiya (also of the Moonrats) first took the “stage” and began singing while on the keyboard, she was soon joined by guitarist/Moog/modular synth player David Scott Stone as they performed the first song of the evening. At the completion of the first song, the duo soon turned into a quartet as drummer Dan Monick and guitarist/vocalist Aaron Rose picked up their instruments and headed right into their next song, “Pas Deux”.
I’ve heard all The Sads’ songs to date, and as you may have guessed, they come from a place where sadness may dwell. But seeing them perform live and feeling the energy the band was exuding actually made me feel the opposite, quite happy. The sound was great for a clothing store; the beats were heavy, the vocals were heard, the band was tight, and the children were really into it. And when I say children I don’t mean that as a euphemism for the adult audience, I mean the children who were not even 7 years old who were performing interpretive dances when they weren’t banging along with the accompanying beats with whatever they could get their little hands on.
The Sads performed a mesmerizing set that I honestly can’t say I was fully prepared for. A set of musical economy with massive feeling that made me forget I was standing next to a rack of $7000 jeans.
